11/28/2022 0 Comments Bharat ek khoj pdf download![]() ![]() ![]() Finally, the imbrication of this televisual piety with Hindu nationalist politics is reviewed. Then the ways in which Ramayan represents a source of popular-culture mediated religion are examined, and these new devotional forms are linked back to traditional Hindu understandings of darśan (seeing the divine) and bhakti (loving devotion). First, the development of the genre of mythological films in India is sketched and the Sagar Ramayan is contextualised within this genre. This is partly because Hinduism lacks explicit distinctions between this world and the otherworld, and between the gods and human beings. It is argued that the cinematic and televisual media were peculiarly appropriate vehicles for the experience of the divine within the Indian religious context. Ritual and practice marked out Ramayan-watching as an act of worship. Watching television became for many a religious act, and personal devotion to the actors playing the gods emerged as a form of popular piety. This chapter argues that Ramayan concretised a religious and aesthetic vision that was deeply imbricated with Hindu nationalism, and that its enthusiastic viewers received it religiously in their daily lives. Though derided by critics for its gaudy costumes, extremely slow narrative pace, and low-quality special effects (Lutgendorf 1990, 144-147) Ramayan evoked spontaneous outbursts of popular piety and became an important focus of devotion, with viewers performing purification rituals before the programme began and adorning television sets with flowers and incense, consecrating them as altars (Mitchell 2005, 2). This was a realisation of the Ramayana, one of India’s most loved stories, an epic regarded as smrti (“that which is recollected”) scripture, and was shown on Doordarshan (the national broadcaster, founded in 1959). "On Sunday mornings from 25 January 1987 to 31 July 1988 between eighty and one hundred million Indians watched Ramayan, a 78-episode television series directed by Ramanand Sagar (Kumar 2006, 38). ![]()
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